DiciplinesMotion GraphicsBrand
IdentityCreative DirectionStrategy Ui/Ux Design
I am Marjeta Lloshi. A designer guided by curiosity, empathy, and a deep fascination for storytelling through form, motion, and emotion. I create work that invites people to feel, reflect, and connect.
This is a selection of projects shaped by research, experimentation, and intuition. From brand identities to motion studies and immersive systems, each piece is part of an ongoing exploration of how design can move us visually and emotionally.
This graphic series, titled OFM – Of Mind, began as a visual research project inspired by the poignant poetry of Emily Elisabeth Dickinson. Developed at the intersection of motion graphics and visual storytelling, the project explores themes of introspection, consciousness, and emotional resonance.
Originally conceived as a moodboard, the work evolved through a curated collection of evocative photography, keywords, emotional triggers, and select poem excerpts. This foundation served as a conceptual map for crafting a series of visual narratives that reflect the inner world — a deeply personal interpretation of Dickinson’s poetic universe.
READ (Research Expertise from the Academic Diaspora) is a platform connecting Albanian scholars abroad with institutions in Albania to accelerate collaboration, research, and sustainable development. Despite its forward-thinking mission, the program lacked a cohesive identity and an accessible way to communicate its value, both visually and structurally.
Problem
Initially presented as a single page on the IEE website, READ lacked the presence and structure needed to reflect its vision. With growing ambitions and community reach, the program needed its own platform, a standalone identity, and a clearer positioning to express its evolving role in shaping Albania’s future.
Solution
The project began by repositioning READ as an independent movement with its own voice and visual system. Through a focused identity and marketing strategy, the program transitioned from an internal page to a standalone platform, giving it the presence and clarity to grow with purpose. The identity system introduces structure, rhythm, and coherence, anchored by the symbol “/” which reflects duality, connection, and motion. The visual language extends across digital and print formats, creating a flexible ecosystem that mirrors READ’s global local essence.Motion graphics introduce energy and movement, while editorial choices place emphasis on the human stories and academic impact behind the initiative. READ now stands as a unified presence, not just a program but a living network of knowledge in motion.
2023-2024Musician Brand Identity, Strategy, Marketing, Music Release
Solitude
Foreign Touch
Composing Identity
Branding contemporary composer Aulon Naci involved deep, empathetic research rooted in music, art, and nature. Exploring the relationship between sound frequencies, emotion, and natural elements, I defined a clear identity and authentic narrative.
Focusing on releases like "Solitude" and "Foreign Touch," I translated Aulon's unique voice into visual storytelling with vibrant, contemplative imagery. The iterative design approach ensured every visual and strategic element was genuinely reflective of Aulon's artistic essence.
The result was not just branding but an authentic ecosystem connecting the composer intimately with his audience, fostering resonance, loyalty, and lasting impact.
Solitude - Cover Photography: Mandi Shenediela“Solitude” Teaser, before releasing the song“Foreign Touch” CoverThe creation of ‘Foreign Touch” The meaning behind it
Through experimentation, new forms emerge. Unexpected patterns reveal smarter design systems, intuitive storytelling, and expanded ways of thinking and feeling through motion. Each study became a discovery of what design could express beyond the static.
For Kep Merli, we strategically repositioned and creatively elevated one of Albania’s most refined coastal destinations. Creating a brand that evokes emotion, presence, and intimacy. A brand that feels personal, lived in, and deeply immersive.
We developed a long term business strategy that redefined the resort’s positioning within the hospitality market, anchored in the values of harmony, stillness, and place. Our approach combined intentional storytelling, refined visual language, and emotional depth. Through curated photography direction, cinematic video, and sensory rich content, shaping a cohesive and expressive identity.
The brand manifesto articulated Kep Merli’s soul. A place where architecture meets nature. Where design holds emotion. Where every detail invites a sense of wonder and connection. This strategy was created to transcend trends and build a magnetic presence that resonates meaningfully with guests seeking beauty, truth, and experience.
06.My Eye Got Lazy
New York, USA 2025 Motion Graphics
Lo Life Crew is a cultural movement and community rooted in New York City, known for its deep influence on fashion, identity, and street culture. Over the years, several articles have been written highlighting its legacy, impact, and evolution.
Recently, a gathering was held to celebrate the collective history of the organization, culminating in a short video that captured the spirit of the event. I created the motion graphics for the logo featured in the final video.
This project was a collaboration with My Eye Got Lazy, a New York–based photography magazine. I worked closely with the founder, contributing not only to the motion design but also offering creative input on how to bring the logo to life in a way that honored the community’s legacy.
06.HAFEN
Patrick Thomas Studio
Berlin, Germany2024Publication
Poster
420 x 594mm
A German term for “harbor” or “port,” an area where ships and boats dock and load or unload cargo or passengers. A safe haven.Nestled between the Landwehrkanal and Neuköllner Schiffahrtskanal, 12045 Berlin is a historic neighborhood where the Berliner Dreiländereck once served as a mini-port until the late 19th century. This area marks the meeting point of Neukölln, Kreuzberg, and Alt Treptow.
Inspired by these waterways, I created “Hafen,” blending analogue and digital techniques. The title, meaning both “port” and “safe haven,” reflects the neighborhood’s history as a refuge. This artwork captures the canals’ essence, celebrating community and connection. To create the distorted typography effect that embodies the spirit of today’s 12045 Berlin district, I used traditional photography techniques, incorporating water to symbolize the canals. By photographing the reflections and distortions through water and glass, I aimed to capture the unique character of the 12045 area.